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I have contacted a writer for the translation of several chapters of his book, I suppose that this is just a sample for sending to a Spanish publishing house.
Once we agreed that I would do the translation of these chapters I sent him a contract in which I stated that all copyrights of the translation would stay with me.
He answered saying:
"That's absolutely unacceptable. After the work is done I need to keep all the rights rel... See more
Hello everyone!
I have contacted a writer for the translation of several chapters of his book, I suppose that this is just a sample for sending to a Spanish publishing house.
Once we agreed that I would do the translation of these chapters I sent him a contract in which I stated that all copyrights of the translation would stay with me.
He answered saying:
"That's absolutely unacceptable. After the work is done I need to keep all the rights related to the translated text - publishing, editing, reproducing, etc. Of course, when the translated text is made public in any sense, I do promise to include your name as the translator of the original text."
Actually this is the first time I have a literary assignment and don't know what is the fairer thing to do for both part? Should I keep them, should he? Should we both? If so, how do I establish percentages or royalties?
This link explains clearly more or less how this question would be answered in Australia. I'm sure someone else will be able to advise you more specifically, but this is some interesting food for t... See more
This link explains clearly more or less how this question would be answered in Australia. I'm sure someone else will be able to advise you more specifically, but this is some interesting food for thought on the matter anyway.
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femmy Local time: 07:49 английский => индонезийский + ...
From a publisher's point of view
Jan 17, 2007
In Indonesia, literary translations are *usually* commissioned by the publisher to the translator. Therefore, as is the norm in a work-for-hire job, the publisher obtains all rights to the translation.
During my past work as a rights coordinator to secure translation rights for the publisher where I work, I know that the author usually receive less royalty percentage for the translation of his work than for his work in the original language. For example, authors usually receive 10-... See more
In Indonesia, literary translations are *usually* commissioned by the publisher to the translator. Therefore, as is the norm in a work-for-hire job, the publisher obtains all rights to the translation.
During my past work as a rights coordinator to secure translation rights for the publisher where I work, I know that the author usually receive less royalty percentage for the translation of his work than for his work in the original language. For example, authors usually receive 10-15% for his original work, but only receive 5-10% for the translation. The rest of the "royalty" is used by the foreign publisher for covering the expenses of translation--either commissioning it or paying it out as a royalty to the translator. ▲ Collapse
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